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Session 2
10:45-Noon
E. Gender and the Other
Chair: Eunice Howe (USC) - Friends Hall
Lisa Boutin (UCLA), “Constructing Gender on the
Venetian Lagoon: New Light on Carpaccio’s Two Ladies Overlooking
a Hunt”
Joanna Woods-Marsden (UCLA), “The ‘Other’ in
Renaissance Court Portraiture”
Christine Sellin (California Lutheran
University), “Scripture as Didactic Domestic Drama: the Expulsion of
Hagar and Ishmael in Seventeenth Century Netherlandish Art and
Literature”
F. Domestic Records
Chair: Joseph Gonzalez (CSU Fullerton) -
Overseers Room
Alan Nelson (UC Berkeley), “St. Giles,
Cripplegate, 1560-1640: Portrait of a London Parish”
Rosi Gilday (Sacramento State University), “The
Artist as Entrepreneur: Neri di Bicci’s Ricordanze”
Kate Heckmann (USC), “Text and Image in the
Kitchen: Culinary Practices Conveyed Through Print”
Valerie Taylor (Santa Monica College), “Stories
from the Vault: Traveling Silver at the Gonzaga Court of Mantua
(1400-1500)”
G. Gender and Text
Chair: Andrew Fleck (San Jose State University)
- Seaver 1 and 2
Joyce Boro (University of Montreal), “The
Fe/Male Readership of Early Modern English Romance”
Elizabeth Mazzola (City College of New York), “Miroir
or Glasse: The Translations of Princess Elizabeth and the
Seymour Sisters”
Amos Tubb (Centre College), “Mrs. Love’s Lost
Labor”
Rosalynde Welch (Independent Scholar), “Mary
Sidney’s Psalmes and Private Conscience”
H. Intersecting Codes: Genres-Crossing in 16th-Century
France
Chair: Muriel McClendon (UCLA) - Seaver 3
Cécile Alduy (Stanford University), “Love and
War: the Epic Subtext of French Lyric Poetry (1549-1562)”
Richard L. Regosin (UC Irvine), “Montaigne and
the Theater of the Self”
Jean-Claude Carron (UCLA), “Philosophical
discourse and literary interferences”
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